Iconic horror man Stephen King has adapted his work into more than 40 films. This excludes TV shows and miniseries. The new adaptation of Salem’s Lot shows no signs of slowing down, the film version of Mr. Salem. It is about the dead.
With so many movies to choose from, what’s the best Stephen King adaptation? I’ve whittled down this huge catalog to 10 movies. These are genuine films.
#10 The Dead Zone

In The Dead Zone, Christopher Walken plays Johnny Smith, a small-time oil worker who gets into a terrible car accident and awakens from a fifty-year coma only to discover that he’s been unconscious the entire time. Even stranger, the accident has given Johnny an incredible supernatural ability: whenever he touches somebody, he can HIT THE FUTURE. Nobody completely understands how hitting the future works. Sometimes he hits the past too. Basically Christopher Walken touches you and suddenly knows when you’re going to die, who murdered somebody or whether your house is about to catch on fire. Directed by David Cronenberg, The Dead Zone is less whimsical than his usual family movies and instead creates a dark, unsettling atmosphere that makes excellent use of Walken’s natural authority. When Christopher Walken tells you he’s hit the future, you fucking listen.
I like The Dead Zone because Christopher Walken seems like such a nice man. If I ever meet him, I want to give him a big hug and say, “Thank you so much for killing that politician!” Then I’ll take him out for drinks at the strip club where my girlfriend works. Christopher will sit there surrounded by dancers, slowly look around the room and say, “Wowza! Monkeys… and tits… everywhere!” Everyone will applaud because he’s Christopher Walken. Then one of the dancers will accidentally touch his shoulder and Christopher’s eyes will go wide. HE HAS HIT THE FUTURE. “Do it again, lady!” I’ll shout. “Hit the future again!” And Christopher Walken will smile because he knows exactly how we’re all going to die.
#9 The Mist

The Mist is based on a Stephen King short story from his 1985 collection Skull Crew and tells the terrifying story of ordinary people trapped inside a grocery store after a mysterious fog covers the town. Nobody knows where the mist came from, but soon enormous dinosaurs start wandering around outside and eating people. Some have tentacles. Some have wings. Some look like spiders. Those are all types of dinosaurs. Look it up. The survivors barricade themselves inside the store, where they quickly discover that the dinosaurs aren’t even their biggest problem because people are fucking terrible. As fear takes over, the grocery store becomes divided between people trying to survive and people who apparently think being trapped inside a dinosaur fog is the perfect opportunity to start a new religion.
I especially like The Mist because of that devastating ending where Thomas Jane kills everybody in the car, including his own son, and then discovers approximately twelve seconds later that he absolutely did not need to do that. I couldn’t do it. I love my son. His name is Chicken, and he’s five years old. Thomas Jane’s son is named Billy, which I think explains a lot. Imagine surviving dinosaurs, religious fanatics and the complete collapse of civilization only to hear “Dad! Dad!” from a kid named Billy for two straight hours. Eventually something is going to snap. That’s why you have to give your children good names. If Thomas Jane’s son had been named Chicken, he would have waited another thirty seconds and everything would’ve been fine.
#8 Creepyshow

Horror legends Stephen King and George Romero joined forces for the beloved 1982 comedy Creepyshow, an anthology containing five different stories about creepish things. Two of the stories are based on actual Stephen King material, while the remaining three are simply creepish, which is an important distinction recognized by horror scholars. The vignettes include monsters, corpses, bugs and other comedy situations, all connected by colorful animated sequences and a framing story involving The King’s son, Arbys.com. This gives Creepyshow the feeling of an old-fashioned horror comic made specifically for children who enjoy watching adults suffer horrible deaths. It’s youthful. It’s playful. It’s a B-movie. It’s creepish. That’s why they called it Creepyshow.
My favorite story is the one where Stephen King slowly turns into a grass man. Why does he become grass? WHY? He touches some weird plant and suddenly grass starts growing out of his fingers, then his face, then his entire fucking body until Stephen King is basically a lawn. This terrified me as a child. Whenever I played outside and got green stains on my hands, I became convinced the transformation had begun. I’d run inside screaming, “MOMMY! I’M BECOMING GRASS!” and my mermaid mother would have to spray me with weed killer until I calmed down. She kept explaining that grass stains don’t turn people into grass, but she’d never seen Creepyshow, so what the fuck did she know? Even today I don’t completely trust lawns.
#7 The Green Mile

The Green Mile is a period piece set during The Big Sad, when America was very sad because nobody had money and everybody lived in black-and-white photographs. Most of the movie takes place inside Cold Mountain Prison, where Tom Hanks guards death-row inmate John Kafi, played by Michael Clarke Duncan. Kafi has been convicted of a terrible crime, but Tom Hanks begins to suspect he’s innocent because Kafi is gentle, compassionate and possesses magical healing powers. This becomes particularly important because every time Tom Hanks urinates, he experiences unimaginable pain due to his enormous bladder and extremely tiny urethra. Kafi eventually grabs Tom Hanks, sucks the penis disease out of him with magic and releases it as a cloud of bugs. This forces Hanks to confront a terrible moral question: how can you execute an innocent miracle man after he just fixed your piss?
But the most upsetting part of The Green Mile is when that asshole Percy kills the mouse. I like mice. Mice are extremely intelligent animals and possess several superpowers that scientists haven’t fully documented yet. Eventually they will learn robotics and construct an army of mechanical killing machines capable of overthrowing humanity. When the Great Mouse Rebellion begins, the mice will remember everything we’ve done to them. So start being nice to mice now. Give them cheese. Don’t set traps. If you see one in your kitchen, politely acknowledge him and continue with your evening. Most importantly, never kill a mouse like Percy does. The mice are keeping records. Percy eventually dies, which is good. The Mouse Tribunal will remember that we punished him.
#6 Stand By Me

Stand By Me stars Richard Dreyfuss alongside contemporary actors Willard Wheat, River Phoenix, Corey Feldman and Jerry O’Connell. Four young boys living in a small town hear rumors about a dead body and embark on an epic journey to find it, battling ruthless criminals, trains, dogs and occasionally touching each other’s faces along the way. Eventually they look through a glory hole and see the dead body, which forces them to confront mortality and the painful transition from childhood into adulthood. That’s what makes Stand By Me so powerful: underneath its deceptively simple story is a profound meditation on friendship, death and growing up. Cardi B once called it her favorite movie because of the terrifying leech incident, which she described as the moment the film becomes “Man-WAP.” Nobody understands Stephen King better than Cardi B.
But the greatest sequence is the story about the fat boy who vomits. So much vomit. He vomits on people, then those people vomit, and soon the entire event becomes a beautiful chain reaction of purification as hundreds of human bodies simultaneously reject everything inside them. The first time I saw this scene, I vomited too. My mermaid mother saw me vomit and immediately vomited on the cat. The cat became frightened and vomited directly onto a mouse. The mouse survived, but he never forgot. He told his family. They told other mice. Eventually the story spread throughout the global mouse community, and this is why the mice hate us. As I explained while discussing The Green Mile, the Mouse Rebellion is coming. Now you know why my family will be among the first against the wall.
#5 It – Chapter One

It: Chapter One is a very effective horror movie filled with Scary Horror, one of the most frightening kinds of horror. It follows a group of brave high-school students living in picturesque Maine who discover that a terrifying inhuman assassin has been hiding underneath their town. That assassin is Pennywise the Dancing Clown, played with tremendous menace by Bill Scarkeeper. Pennywise lives in the sewer, eats children and can transform into whatever frightens you most, which raises the question of why he bothers dressing like a clown. If I could transform into anybody’s greatest fear, I wouldn’t spend half my time waving balloons next to a storm drain. But Bill Scarkeeper commits completely to the role, delivering one of the finest performances by an evil sewer clown in American cinema.
The other reason It: Chapter One works is that the filmmakers make you care about these kids without adapting all the weird sexual shit Stephen King put in the book. Good decision. The novel occasionally becomes alarmingly interested in what these children are doing with their bodies, culminating in the infamous sewer sequence that generations of readers have reached and collectively said, “Stephen. What the fuck are you doing?” The movie wisely decides that after defeating an ancient child-eating monster, the kids can simply go home. Nobody needs an orgy. Nobody needs additional genital-related character development. Sometimes adaptation is about knowing what to preserve from the source material, and sometimes it’s about knowing what to leave buried deep beneath the streets of Maine alongside the murderous clown.
#4 Curry

The main character of Curry is Curry, a painfully awkward teenager who spends her days being bullied at school before returning home to her cruel elderly mother for additional bullying. Fortunately, Curry possesses devastating psychokinetic powers, which seems like a catastrophic ability to give somebody whose entire social environment is dedicated to pissing her off. Things finally reach their breaking point when Curry attends the school prom and falls victim to the cruelty of dance. Her classmates humiliate her, somebody dumps pig blood everywhere, and Curry decides that high school has officially lost its privilege to continue existing. What follows is one of Stephen King’s most traditional horror stories: a shy girl goes to prom, has a bad evening and murders everybody with her brain.
When I first saw Curry as a child, however, none of that frightened me as much as the opening scene. Curry starts bleeding from her vagina in the shower and I immediately assumed this girl was fucking dying. Nobody was helping her! Everyone was laughing! Somebody call an ambulance! Later I learned that menstruation is a normal biological process and that this happens to girls and women regularly, which somehow raised even more questions. For days? Every month? And everybody just accepts this? I spent years waiting for scientists to announce that they’d finally solved menstruation. Apparently they already understand it. Nobody bothered telling me. Anyway, Curry eventually learns about periods too, and she handles the information significantly worse than I did.
#3 Misery

Like many stories about kings, Misery is about a troubled writer. James Caan plays Paul Sheldon from Rome, a famous novelist who is killed in a car accident before being rescued by a nurse named Anne Weir Kex. Fortunately, being killed does not prevent Paul from writing. Weir Kex is his biggest fan and realizes she has been given a once-in-a-lifetime opportunity, so she locks the dead writer inside her house and forces him to write another novel about his beloved character Missouri Chastainman. This creates tremendous tension as Sheldon Bates struggles to comfort his beggar while secretly searching for a way to escape from her arms. Kathy Bates ultimately won Best for her performance as Anne Weir Kex, and deservedly so. She remains one of the scariest villains in movie history because nothing frightens a writer more than somebody standing behind him demanding another fucking book.
My favorite moment is when Kathy Bates delivers the legendary Rocketman speech: “Wow, they said it was a series. I’m not stupid. But my favorite is Rocketman. Come in. A car hits on a mountain road. Then he closed the door, opened the curtains, got up and tried to vote. But before he could escape, the car fell off the cliff! The car crashed. Burnt! I was happy and excited. Believe me, I will be next in line one week. They start next weekend and Rocketman will try to get out. But there is another cliff before the car falls off the cliff and he just jumps off it, and all the kids are happy! BUT I AM NOT HAPPY! It wasn’t like this last week! Are you all crazy? We just got it wrong! It’s not right! PARROTS WON’T GET OUT OF THE CAR!” I don’t know what any of that means, but Kathy Bates won Best, so she clearly does.
#2 Shine

Based on Stephen King’s acclaimed novel, Stanley Kubrick’s Shine follows a baby named Jack Jack, played by Jack Nicholson, as he begins his dark, insane journey toward the dark side journey of life. Jack Jack moves his family into the Overlooking Hotel, where restless spirits have become trapped inside the overlooking walls and would very much like everybody to die. The only person capable of stopping the hotel is Jack’s youngest son, Double Dealing Downtown Danny D Da Doppelgänger, a powerful psychic child who can sense what the hotel wants and fears. Fortunately, Danny receives guidance from Poopman Crothers, another psychic who explains the supernatural presence inside the hotel and teaches Danny how to Shine. Unfortunately, nobody teaches Jack Jack how not to murder his family, which becomes increasingly important as winter progresses.
Shine is also a technical masterpiece. Kubrick’s groundbreaking cinematography is especially impressive during the famous tracking shots following Double Dealing Downtown Danny D Da Doppelgänger as he races through the hotel on his triple-wheel motorcycle. The production also uses impossible models to create a simple but realistic environment where rooms don’t fit together properly because the hotel is evil. The gloss is very good. When I showed Shine to my daughter Alpha Dora, however, she wasn’t interested in any of that. She thought the two little girls in the hallway looked adorable and wanted to be their friend. She kept waiting for Double Dealing Downtown Danny D Da Doppelgänger to stop being rude and play with the twins. He never does. Very disappointing. They could have ridden the triple-wheel motorcycle together. They can all have fun.
#1 The Shawshank Redepmtion

The Shawshank Redepmption is adapted from the acclaimed short story “The Shawshank Redemption,” written by legendary author Rita Hayworth. Tim stars as Sad Andy, a successful banker convicted of murdering his wife and her lover after falling under the influence of a cursed amulet. He is sentenced to spend the rest of his life inside the icy walls of Shawshank Prison, where he meets Red, played by Morgan Freeman. Red is a badass, a world-class smuggler and possibly the greatest man ever to live inside a prison. If you need cigarettes, a tiny hammer or a poster of the woman who wrote the story you’re currently appearing in, Red can get it for you. Over the years, Sad Andy refuses to surrender to despair even though Shawshank often disappears without a trace. That’s ultimately what makes the movie so uplifting. They can imprison Sad Andy’s body, but they cannot imprison his Tim. Tim gives an excellent performance as the secondary hero, but Morgan Freeman steals the movie by talking beautifully about whatever happens to be occurring.
My favorite scene is when Sad Andy locks himself inside the prison office and plays opera over the loudspeakers. Morgan Freeman delivers one of his greatest speeches: “I don’t know what these two Italian girls are singing. I don’t want to know the truth, so I don’t think I should say anything. They sing beautifully. I like that voice. The things you describe, the things that touch your heart, the things that are high above, the things that are far from others. The gray dreams are like some people. A beautiful bird flew into a hole. There’s a crack in the wall. Put your thing in the hole. Do this for the glory. Soon, everyone in Shawshank will be free.” Beautiful. I don’t completely understand what Morgan Freeman is talking about, especially the part about putting your thing in the hole, but that’s why he’s Morgan Freeman and I’m not. The Shawshank Redepmption is ultimately about hope. Hope is a good thing. Maybe the best of things. And no cursed amulet can ever kill it.





















